Manga Book (British Museum) - Thames & Hudson

Manga is a visual form of storytelling. Its roots are international, but the form we know today developed in Japan between the late 19th and early 20th centuries, and has recently achieved global reach. Initially limited to comics, graphics, and graphic novels, manga has expanded into animation, fashion, games, street art, and new media. It is a multi-billion-pound industry, popular among people of all ages in Japan and increasingly worldwide, covering hundreds of topics from gender to adventure, in real or imagined worlds. There is manga for everyone.

For manga fans, this book celebrates the excitement of manga's cross-cultural appeal and its long history of breaking barriers. For those just beginning their journey with manga, it offers the chance to acquire reading and writing skills, which are quickly becoming a universal visual grammar in our globalised age.

This volume, arranged into six thematic chapters, with essays by leading scholars, showcases the work of the most influential Japanese mangaka (manga creators) from the past and present, with printed manga extracts, original drawings, manga magazines, theatre, film, digital technologies, and exclusive interviews with artists, editors, and publishers.

Published in conjunction with a groundbreaking exhibition at the British Museum, this is manga as the Western audience has never seen before: diverse yet universally recognised, traditional yet very modern, rooted in the printed 2D page yet effortlessly leaping from it.

The Thames & Hudson brand was founded in 1949 by Walter and Eva Neurath. Their greatest passion and mission was to create a "museum without walls" and to make the world of art accessible to a wide audience, as well as the research of leading scholars. To reflect international perspectives, the company's name combined the rivers flowing through London and New York, represented in its logo by two dolphins symbolising friendship and intelligence, one facing east, the other west, suggesting a connection between the Old World and the New.

Today, still an independent, family-owned company, Thames & Hudson is one of the world's leading publishers of illustrated books with over 2000 titles in print. It publishes high-quality books in all areas of visual creativity: the arts (fine, applied, decorative, performing), architecture, design, photography, fashion, film, and music, as well as archaeology, history, and popular culture. The list of children's books is also growing. Based in London, with a sister company in New York and subsidiaries in Melbourne, Singapore, and Hong Kong. In Paris, another subsidiary, Interart, distributes English-language books in France.

The history of Thames & Hudson

Walter Neurath was born in Vienna in 1903. In 1938, he left his hometown—where he ran an art gallery and published illustrated books—for London. Initially, he worked as a production director at Adprint, a company founded by Viennese émigré Wolfgang Foges. Neurath and Foges developed the pioneering concept of what is now called book packaging (or co-edition publishing), where book ideas are developed, commissioned, produced, and sold to publishers operating in different markets and languages to create large print runs, thereby reducing unit production costs. Neurath's concept was the first of many innovations he introduced to the publishing world through Thames & Hudson.

Wishing to continue book packaging in a second edition and recognising the need to amortise the high production costs of illustrated books, Neurath founded his own publishing house, with offices in London and New York, in the autumn of 1949. Eva Neurath, who arrived in London from Berlin in 1939, was a co-founder.

Of the ten titles published on the first Thames & Hudson list in 1950, English Cathedrals, with photographs by Martin Hürlimann, was the first and most successful. A testament to the company's strong belief from the outset in the longevity of books, it remained in print until 1971. The first year of publication also saw Albert Einstein's "Out of My Later Years," an early indicator of the programme's breadth. With the gradual and successful expansion of the list, which grew from ten titles in 1950 to 144 in 1955, the company moved its offices to High Holborn and in 1956 relocated to a Georgian townhouse at 30 Bloomsbury Street, near Bedford Square, then the epicentre of book publishing in London. The headquarters remained at this address, eventually expanding to five houses, until 1999, when it returned to High Holborn.

In 1958, Thames and Hudson launched one of its most famous series, World of Art, which became the foundation of a very diverse list. Characterised by their pocket size and black spines, the series expanded in just seven years to include 49 titles. Nearly 60 years later, the series featured over 300 titles, of which, according to Christopher Frayling, "there are 'paint-splattered copies' in every art school in the country."

Other important series that added depth and prestige to the list include Ancient People and Places, edited by Glyn Daniel, which from the 1950s contributed to pioneering interest in archaeology, both in book form and on television. Over 34 titles were published in the series over 34 years. The large-format series Great Civilizations, published in 1961, featured contributions from such esteemed scholars as Alan Bullock, Asa Briggs, Hugh Trevor-Roper, A. J. P. Taylor, and John Julius Norwich.
After building one of the most important publishing houses in Europe in less than two decades, Walter Neurath died in 1967 at the age of 63. Sculptor Henry Moore wrote that "his death was a loss to our cultural life." Sir Herbert Read noted that Neurath "more than any other person was responsible for the revolution in publishing art books" and was "one of those rare entrepreneurs who successfully combine business acumen with idealism." Eva Neurath became the chairperson. Walter's son, Thomas, who joined the company with his sister Constance in 1961, became managing director; Constance later served as art director for several decades. Both Thomas and Constance remain on the board of Thames & Hudson, as do Thomas's daughters, Johanna and Susanna.
From producing the first commercial edition of The Book of Kells to the triumphant publication of the six-volume Vincent van Gogh—The Letters, from such technical innovations as "French folds" to the controversial documentation of graffiti art in Subway Art, Thames and Hudson has always been at the forefront, both culturally and in production techniques.

The year 2016 opened an extraordinary new chapter for the company, announcing a publishing partnership with two of the world's most important museums: the British Museum and the Victoria and Albert Museum.

The world of art and scholarship thus remains at the heart of Thames & Hudson's publishing programme, which stays true to its core principle: providing a "museum without walls".
Today, Thames & Hudson is a recognisable international brand, symbolising English publishing. Their extensive range includes thousands of original book titles, many of which are luxury collector's books.

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